STEPPENWOLF ‎- LIVE [1970]

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Steppenwolf is a Canadian rock band that was prominent from 1968 to 1972. The group was formed in late 1967 in Toronto by lead singer John Kay, keyboardist Goldy McJohn, and drummer Jerry Edmonton (all formerly in Jack London & The Sparrows from Oshawa, Ontario). Guitarist Michael Monarch and bass guitarist Rushton Moreve were recruited by notices placed in Los Angeles-area record and musical instrument stores.

Steppenwolf sold over 25 million records worldwide, releasing eight gold albums and 12 Billboard Hot 100 singles, of which six were top 40 hits, including three top 10 successes: «Born to Be Wild», written by Dennis Edmonton (using the stage name Mars Bonfire), «Magic Carpet Ride», and «Rock Me». Steppenwolf enjoyed worldwide success from 1968 to 1972, but clashing personalities led to the end of the core lineup. Today, John Kay is the only original member, having served as the lead singer since 1967.

Steppenwolf: Breakthrough success and decline (1967–1972)

The name change from The Sparrows (The Sparrow) to Steppenwolf was suggested to John Kay by Gabriel Mekler, being inspired by Hermann Hesse’s novel of the same name. Steppenwolf’s first two singles were «A Girl I Knew» and «Sookie Sookie». The band finally rocketed to worldwide fame after their third single, «Born to Be Wild», was released in 1968, as well as their version of Hoyt Axton’s «The Pusher». Both of these tunes were used prominently in the 1969 counterculture cult film Easy Rider (both titles originally had been released on the band’s debut album). In the movie, «The Pusher» accompanies a drug deal, and Peter Fonda stuffing dollar bills into his Stars and Stripes-clad fuel tank, after which «Born to Be Wild» is heard in the opening credits, with Fonda and Dennis Hopper riding their Harley choppers through the America of the late 1960s. The song, which has been closely associated with motorcycles ever since, introduced to rock lyrics the signature term «heavy metal» (though not about a kind of music, but about a motorcycle: «I like smoke and lightning, heavy metal thunder, racin’ with the wind…»). Written by Sparrow guitarist Dennis Edmonton, who had begun using the pen name Mars Bonfire and inspired by a billboard roadside advertisement Bonfire liked which depicted a motorcycle tearing through the billboard artwork, the song had already reached number two on the Billboard Hot 100 in August 1968. It sold over one million copies, and was awarded a gold disc.

In 1968, Steppenwolf played one of their biggest shows up to that time at the Filmore East to rave reviews, sharing the bill with Buddy Rich and Children of God.

The group’s following albums had several more hit singles, including «Magic Carpet Ride» (which reached number three) from Steppenwolf  The Second and «Rock Me» (with its bridge lasting 1:06, which reached number 10) from At Your Birthday Party. It also sold in excess of a million units. Monster, which questioned US policy of the Nixon era, was the band’s most political album.

Following the Monster album from 1969, the following year, the band released what some [who?] consider their strongest album, Steppenwolf 7, which included the song «Snowblind Friend», another Hoyt Axton – penned song about the era and attitudes of drugs and associated problems. The band lineup reached its peak in the opinion of most fans with this album and their live performances in the middle of 1970 with John Kay, Jerry Edmonton, Goldy McJohn, Larry Byrom, and George Biondo. Unfortunately, this lineup was also unable to remain together, as Byrom became upset with McJohn over personal issues and quit the band in the early part of 1971.

Several changes in the group’s personnel were made after the first few years.

Moreve was fired from the group in 1968 for missing gigs after he became afraid to return to Los Angeles, convinced by his girlfriend that it was going to be leveled by an earthquake and fall into the sea. Rob Black briefly filled in for Moreve until former Sparrow bandmate Nick St. Nicholas came aboard in the latter months of 1968. Monarch quit the group in August 1969 as his relationship with Kay deteriorated. Larry Byrom, who had been in TIME with Nick St. Nicholas, ably replaced Monarch. Nick St. Nicholas was let go in mid-1970. He had supposedly appeared in nothing but rabbit ears and a jock strap at the Fillmore East in April ’69 – a poorly documented tale hotly denied by St. Nicholas – and his habit of wearing muumuus and kaftans on stage began to wear on Kay, whose penchant for leather vests and pants was more in line with the image he wanted for the band. George Biondo was then recruited, and guitarist Kent Henry replaced Byrom in early 1971. In November 1971, the band released For Ladies Only, with the lineup consisting of Kay, Henry, Biondo, McJohn, and Edmonton. The album was notable for several reasons, most notably the controversial LP inside cover art, the romantic, political, and social lyrical content, and the fact that it featured several of the group members on lead vocals.

The band broke up after a farewell concert in Los Angeles on Valentine’s Day, 1972. Kay went on to a brief solo career, scoring a minor solo hit in 1972 with «I’m Movin’ On» from his album Forgotten Songs and Unsung Heroes.

Although it received generally high marks from most critics, the album sales were disappointing in the US. Kay released a second solo album in 1973 on the Dunhill label titled My Sportin’ Life. This album sold less than his first solo album and was less gritty and more LA studio-polish in sound.

Following the first official breakup of Steppenwolf, and after the release of Kay’s first solo album, a late summer and autumn 1972 tour in the USA and Europe occurred which featured Kay heading both the John Kay Band and Steppenwolf at the top the bill. Dunhill had released an album of a collection of Steppenwolf songs titled Rest in Peace. Thus, the tour was known as the RIP tour. The John Kay Band included Hugh Sullivan on keyboards and Whitey (Pentti) Glan on drums (both were contributors to John Kay’s first solo album). Kent Henry on lead and slide guitar and George Biondo on bass joined Kay in both lineups. The Steppenwolf band lineup featured Goldy McJohn on keyboards and Jerry Edmonton on drums. This tour proved to be a fairly positive experience for all of the musicians and drew respectable crowd turnouts.

Following this tour, while Kay was recording his second solo album in 1973, McJohn and Edmonton continued to play and formed a band called Manbeast. Some of the material created in the Manbeast days showed up on the 1974 Steppenwolf reunion album, most notably «Gang War Blues», which was recorded as a demo with Edmonton singing slightly different lyrics.

Reunion (1974 1976)

Steppenwolf reformed in 1974 with its core lineup of Kay, Edmonton, and McJohn, along with longtime bassist Biondo and newcomer Bobby Cochran, Eddie Cochran’s nephew, on lead guitar. The band signed with Mums Records in retaliation for what Kay perceived as a lack of support by Dunhill Records for his solo albums. Their first reunion album was Slow Flux, which included their last top 40 hit, «Straight Shootin’ Woman». In February 1975, McJohn was dismissed for what Kay described as a decline in the quality of his performances, as well as erratic behavior. McJohn was replaced by Andy Chapin on Hour of the Wolf in 1975, though McJohn appeared in artwork for the single to Caroline. After the album peaked at number 155, Kay attempted to dissolve the band again, but the label, now having been absorbed by Epic Records, insisted Steppenwolf record one more album to satisfy their contractual obligations. The ensuing album, Skullduggery (1976), featuring Wayne Cook on keyboards, was released without a tour to support it, and by the early fall of 1976, Steppenwolf disbanded a second time. Kay appeared in a segment of the popular music TV show The Midnight Special to announce the end of Steppenwolf and also played a solo version of the song «Hey I’m Alright». This song appeared on Kay’s third solo album All In Good Time, released on Mercury Records in 1978.

«New Steppenwolf» revival act (1976 – 1980)

After Kay disbanded Steppenwolf, former members Goldy McJohn and Nick St. Nicholas formed a «revival act» called «New Steppenwolf». McJohn did not last long, but St. Nicholas continued with the venture for several years. Various incarnations included a «revolving door of musicians» consisting of «jobbing players». The Rolling Stone Encyclopedia of Rock & Roll described these bands as «unprofessional, bogus versions» of Steppenwolf. Although Kay and Edmonton had originally licensed the use of the «New Steppenwolf» name, they later sued for breach of the contract. St. Nicholas agreed in 1980 to cease use of the name, but legal disputes about promotional use of the Steppenwolf name continued until 2000.

John Kay and Steppenwolf (1980 – present)

Kay had a few meetings with David Pesnell about management, concert promotions, and producing a new album for the band. Pesnell wanted to produce an album featuring new songs on side A, by the reformed band Three Dog Night and with side B of the album featuring songs by Steppenwolf. The album’s working name was «Back to Back», a play on each band having a side of the album and the fact the bands were back together again. Pesnell’s concept was simple: each band should record four new songs, with a fifth song on each side featuring a medley of the band’s past songs. This would give the Pesnell-produced album a double release of singles to support a concert tour featuring the two bands. Though both bands liked the concept of the album and tour, the arguments included who would be side A and side B and which of the two would headline the upcoming concert tour.

The reformed John Kay and Steppenwolf line-up featured John Kay, Michael Palmer (guitars, backing vocals), Steve Palmer (drums, backing vocals), Danny Ironstone (keyboards, backing vocals), and Kurtis Teel on bass. The Palmer brothers had played in a group called Tall Water and had also been involved with Kay in his solo career playing live gigs in the late 1970s. Teel was replaced by Chad Peery and Ironstone by Brett Tuggle by 1981, and the new grouping released Live in London overseas. Tuggle was then displaced by Michael Wilk and a new studio album, Wolf Tracks, was released in 1982 on the small Attic (Nautilus in the U.S.) record label. Wolf Tracks was one of the earliest digitally recorded albums in the industry. It was recorded live on a two-track Sony digital recording system. Bassist Welton Gite, who appeared on this album, left shortly after its completion and was replaced by Gary Link. Another album, Paradox, followed in 1984.

In December 1984, the band as it was disbanded and Kay and Wilk decided to continue on in early 1985 with a pared-down quartet composed of Kay, Wilk, Wilk’s friend Ron Hurst (drums, backing vocals), and Rocket Ritchotte (guitars, backing vocals).

Wilk also handled bass duties from his sequencing computer keyboards from then on. This line-up released Rock N’ Roll Rebels (1987) and Rise & Shine (1990); these were on the Qwil and I.R.S. Records imprints, respectively. Ritchotte had departed temporarily in 1989 to be replaced by Les Dudek and then Steve Fister, but then returned in 1990 for three more years. Fister (ex-Iron Butterfly) came back in late 1993, but turned guitar duties over to Danny Johnson (formerly of Derringer, Rod Stewart, and others) in 1996.

As the band was named after the novel Der Steppenwolf by German author Hermann Hesse, who was born in the Black Forest town of Calw, the city invited them to come over and play in the International Hermann-Hesse-Festival 2002, along with other bands inspired by Hesse, such as Anyone’s Daughter. The concert drew considerable media coverage, with Kay’s fluent German stunning those who did not know beforehand about his growing up in Germany – in fact, he was born Joachim Fritz Krauledat in Tilsit, East Prussia, Germany (now Sovetsk, Kaliningrad Oblast, Russia).

The band performed its «Farewell Concert» on October 6, 2007 at Ripken Stadium in Aberdeen, Maryland, featuring Kay, keyboardist and programmer Michael Wilk, drummer Ron Hurst, and guitarist Danny Johnson.

Band members

Some of the band members have included:

John Kay – lead vocals, rhythm guitar, harmonica (1967 – 1972, 1974 – 1976, 1980 – present)

Goldy McJohn – keyboard, (1968 – 1974)

Michael Monarch – guitar, (1968 – 1969)

Jerry Edmonton – drums, (1968 – 1976)

Rushton Moreve – bass, (1968)

Nick St. Nicholas – bass, (1969 – 1971)

Larry Byrom – guitar, (1969 – 1970)

Danny Johnson – lead guitar, backing vocals (1996 – present)

Michael Wilk – keyboards (1982 – present)

Gary Link – bass (1982 – 1984, 2009 – present)

Ron Hurst – drums (1984 – present)

Discography

Steppenwolf

Steppenwolf (1968)

The Second (1968)

At Your Birthday Party (1969)

Monster (1969)

Steppenwolf 7 (1970)

For Ladies Only (1971)

Slow Flux (1974)

Hour of the Wolf (1975)

Skullduggery (1976)

John Kay and Steppenwolf

Wolftracks (1982)

Paradox (1984)

Rock & Roll Rebels (1987)

Rise & Shine (1990)

Live albums

Title Details

Early Steppenwolf Release date: July 1969 Label: MCA Records Formats: CD, Vinyl record, cassette, 8-track

Steppenwolf Live Release date: April 1970 Label: ABC/MCA Records Formats: CD, Vinyl record, cassette, 8-track US: Gold

Live in London Release date: 1981 (Australia Only) Label: Mercury Records Formats: CD, Vinyl record, cassette

Live at 25 Release date: March 17, 1995 Label: K-tel Formats: CD, cassette

Live in Louisville Release date: October 5, 2004 Label: Rainman Records Formats: CD, music download

Compilation albums

Title Details

Gold: Their Great Hits Release date: March 1971 Label: Dunhill Records Formats: CD, Vinyl record, cassette, 8-track US: Gold

Rest in Peace Release date: February 1972 Label: Dunhill Records Formats: CD, Vinyl record, cassette, 8-track

16 Greatest Hits Release date: February 1973 Label: MCA Records Formats: CD, Vinyl record, cassette, 8-track US: Platinum

Sixteen Great Performances Release date: 1975 Label: MCA Records Formats: Vinyl record, cassette, 8-track

The ABC Collection Release date: 1976 Label: ABC Records Formats: CD, Vinyl record, cassette, 8-track

The Best of Steppenwolf: Reborn to be Wild Release date: 1976 Label: Epic Records Formats: CD, Vinyl record, cassette, 8-track

Born to Be Wild – A Retrospective Release date: 1991 Label: MCA Records Formats: CD, cassette

Silver Release date: November 7, 1997 Label: Phantom Sound & Vision Formats: CD

All Time Greatest Hits Release date: November 23, 1999 Label: MCA Records Formats: CD, cassette

20th Century Masters – The Millennium Collection: The Best of Steppenwolf  Release date: April 20, 1999 Label: Universal Records Formats: CD, cassette US: Gold

The Collection Release date: July 8, 2003 Label: Spectrum Music Formats: CD

Steppenwolf Gold Release date: January 11, 2005 Label: Geffen Records Formats: CD, music download

The ABC/Dunhill Singles Collection Release date: August 14, 2015 Label: Real Gone Music Formats: CD

Notable performances

July 5, 1968, at the Hollywood Bowl in Hollywood, CA with The Doors

August 4, 1968, in Costa Mesa, CA, as part of the Newport Pop Festival with Canned Heat, Sonny & Cher, the Grateful Dead, and The Byrds

September 11, 1968, at the Avalon Ballroom in San Francisco with Santana

December 6, 1968, at the Spectrum in Philadelphia, as part of the Quaker City Rock Festival with the Grateful Dead, Sly and the Family Stone, and Iron Butterfly

June 20, 1969, at Devonshire Downs in Northridge, California, as part of the ’69 Pop Festival with Jimi Hendrix, Joe Cocker, The Byrds, and Creedence Clearwater Revival

November, 28, 29, and 30, 1969, in Palm Beach, Florida, as part of the Palm Beach Pop Festival with the Rolling Stones, Janis Joplin, Chambers Brothers, Sly and the Family Stone, Jefferson Airplane, the Byrds, Spirit, Pacific Gas and Electric, Sweetwater, Country Joe and the Fish, Johnny Winter, Grand Funk Railroad, The Rugbys, and King Crimson

June 26, 1970, in Shepton Mallet, Somerset, England, as part of the Bath Festival of Blues and Progressive Music with Led Zeppelin, the Byrds, Donovan, Frank Zappa, and Santana

August 6, 1970, at Shea Stadium in New York City with Paul Simon, Janis Joplin, and Johnny Winter

February 26, 1971, at Watres Armory in Scranton, PA, with the 8th Street Bridge

July 28, 1991, at Poplar Creek Music Theater in Hoffman Estates, Illinois, as part of the Psychedelic Celebration with Dave Mason, Robbie Krieger, Arlo Guthrie, and Three Dog Night

August 4, 2007, at Sandy Point State Park in Annapolis, Maryland, as part of the Chesapeake Bay Blues Festival with Aretha Franklin, Three Dog Night, Robert Randolph and the Family Band, and Buddy Guy.

https://en.wikipedia.org/wiki/Steppenwolf_(band)

https://en.wikipedia.org/wiki/Steppenwolf_discography

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Steppenwolf – Live [1970] (Full Album)

Tracklist:

A1. Sookie Sookie – 3:09

A2. Don’t Step On The Grass – 6:01

A3. Tighten Up Your Wig – 4:23

B1. Monster – 10:00

B2. Draft Register – 4:00

B3. Power Play – 5:35

C1. Corina, Corina – 3:47

C2. Twisted – 5:01

C3. From Here To There Eventually – 6:52

D1. Hey Lawdy Mama/Magic Carpet Ride – 7:00

D2. The Pusher – 6:01

D3. Born To Be Wild – 5:51

Credits

Engineer: Ray Thompson

Performer: Goldy McJohn, Jerry Edmonton, John Kay, Larry Byrom, Nick St. Nicholas

Photography By, Design: Tom Gundelfinger

Producer: Gabriel Mekler

Notes

Recorded live at various concerts during early 1970.

Released by Dunhill ABC Records in the USA.

Label: ABC/Dunhill Records ‎– DSD50075

Format: 2 × Vinyl, LP, Album, Gatefold

Country: US

Released: 1970

Genre: Rock

Style: Hard Rock, Classic Rock, Blues Rock, Psychedelic Rock

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